Faster than standard drut: the terminal velocity of relas and closing crescendos. At this rate individual matras stop being felt as beats and merge into a stream; the player navigates by vibhag and avartan instead.
This band is a stamina and efficiency problem. Only the most economical nikas survives — minimal lift, fingertip work, relaxed wrists — and material simplifies to patterns the hands can cycle automatically. Pushing past one's clean maximum is considered poor taste; the tradition prizes control over raw speed.