A paran cast in chakradhar form: the full pakhawaj-language composition, closing tihai included, stated three times so the final Dha lands on sam. It combines the paran's weight with the chakradhar's engineered grandeur — the loudest, most emphatic destination in the repertoire.
Standard climax material for both tabla solos and Kathak, where dancer and drummer may deliver it in unison. Execution demands stamina and unshakable counting: the open, ringing strokes leave nowhere to hide, and the triple span often stretches across several avartans.