Eight matras in 4+4 — clap on 1, wave on 5, the same frame as Keherwa — with a livelier, more ornamented theka ("Dhin Dhin Dha Tin | Traka Dhin Dhage Traka"). The Traka clusters give it roll and flourish where Keherwa walks plainly.
It turns up in light-classical and stage settings wanting an eight-beat frame with built-in movement. The pairing with Keherwa is the standard illustration that identical clap maps can carry entirely different personalities — the theka, not the count, is the music.