Slower than standard vilambit — cycles so stretched that the tala survives only through disciplined internal subdivision and generous theka fill. Found mainly in big-form khayal accompaniment in talas like Ektaal, Jhumra, and Tilwada.
At this tempo the theka becomes architecture: landmark strokes are placed exactly, the space between them is bridged with even fill, and khali must still arrive as an audible signpost. Losing the count here is unrecoverable in performance, which is why players train it with a lehra as an external anchor.